(2015)—literally translating to "My Madness" —is a gripping Austrian psychological thriller and romantic drama that explores the terrifying boundary where passion devolves into obsession. Directed and written by Austrian filmmaker Andrina Mračnikar, a former student of the legendary director Michael Haneke, the film masterfully dissects the concepts of trust, digital surveillance, and fragmented reality.

Critics praised Alice Dwyer’s performance, which holds the film together, capturing the nuance of a woman falling apart while trying to maintain control. Why Ma Folie (2015) Matters Today

Alice Dwyer (Hanna) delivers a performance that perfectly captures the vulnerability and mounting terror of a woman losing her grip on her surroundings. Critical Reception and Impact

A nomination for at the Austrian Goldene Romy awards. Summary of Key Elements Director Andrina Mračnikar Cast

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By blending the aesthetics of modern smartphone technology with the classical tension of a psychological thriller, Ma Folie offers a chillingly relevant critique of contemporary relationships. The film earned critical acclaim, notably winning the prestigious in the German-speaking world. Key Film Information SLOVENSKI DOKUMENTARNI FILM

The strength of Ma Folie lies in its unwavering commitment to its central theme: that the line between love and madness is terrifyingly thin. By the time the credits roll, the film leaves you questioning not just the characters' reality, but the nature of trust and obsession in your own life.

Alice Dwyer (Hanna), Sabin Tambrea (Yann), and Oliver Rosskopf (Goran).

Released in 2015, is a psychological thriller that deconstructs the boundaries between love and obsession. Directed and written by Andrina Mračnikar, the film marks a significant directorial debut that transitions from a poetic romance into a haunting exploration of paranoia and media-driven manipulation. Plot and Narrative Structure

A camera lens can frame love, but it can just as easily document, track, and intimidate. The film explores how easily digital tools transition from connection to surveillance.

Sinister, omnipresent, markers of surveillance and stalking. Elated, independent, open-hearted. Paranoiac, isolated, doubting her own senses.

Annalie Bjerger, as the object of Hedi’s fixation (the mother of the boy), serves as the grounded counterweight. Her performance is subtle, portraying a woman who slowly transitions from pitying Hedi to fearing her. The dynamic between the two women—Hedi projecting her past onto the present, and the mother trying to protect her son from an increasingly erratic stranger—is the engine that drives the film’s second act.

Ma Folie 2015 is a large-scale event that brings together people from diverse backgrounds and interests. The event's name, which translates to "My Folly 2015," suggests a playful and lighthearted atmosphere, which is indeed a hallmark of the experience. Ma Folie 2015 is a celebration of creativity, self-expression, and community, featuring a wide range of activities, performances, and exhibits.

However, the narrative shifts when Hanna begins to notice subtle, then alarming, inconsistencies in Micha's behavior and personal history. The film masterfully builds suspense, not through jump scares, but through the eroding trust and the mounting evidence that the man she loves may not exist.

The "lettres filmées" that once felt like romantic poetry transform into a digital tool of terror. Yann's videos become a constant, threatening presence, blurring the lines between a lover's reach and a stalker's grip. Hanna finds herself in a waking nightmare, questioning her own judgment as she is gaslit and isolated. The film masterfully transitions from an "amour fou" (crazy love) into a chilling thriller that dissects the fragility of truth, the unreliability of perception, and the terrifying nature of delusion.